Cannonball Adderley Volumes 1-10 (1955-1962)

This is it - the complete collection of transcriptions from Volumes 1-10! Reserved for the most serious of alto players. Every solo transcribed from Cannonball's debut at the Cafe Bohemia in 1955 through the Bossa Nova Sessions of 1962. This is the ultimate collection for any Cannonball fan. Price includes a 10% discount for ordering the entire series.
All 10 volumes, over 440 solos, 1,757 pages, 32 pounds.

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Cannonball Adderley Volume 1: 1955

Now available as the 4th Edition with unsurpassed accuracy!. Revised layout with Finale 2011 and completely redone 1955 discography.
58 solos, 136 pages, 2# 8oz.

Cannonball Jazz CJ-1955

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Cannonball Adderley Volume 2: 1956

Watch and hear Cannonball's playing grow to the next level with this compilation. The smallest book of the series, but loaded with burnin' up-tempo solos like Hoppin' John, Spectacular, and Broadway at Basin Street.
26 solos, 66 pages, 1# 9oz.

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Cannonball Adderley Volume 4: 1958

Every known recorded solo from 1958 except for those included in Volumes 5 & 6 (Milestones and the Alabama Concerto). Cannonball has become a master in this volume. This is some amazing pre-Miles Davis stuff!
53 solos, 184 pages, 3# 6oz.

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Cannonball Adderley Volume 5: Alabama

This is a transcription of the entire 4 concerto movements of John Benson Brooks' Alabama Concerto. Included in the score are alto, trumpet, guitar, and bass parts. I also include Art Farmer's trumpet solo transcriptions! Alto parts are included separately as well in the back of the book.
119 pages, 2# 4oz.

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Cannonball Adderley Volume 6: Milestones

The BEST SELLER. Includes every available recorded solo from Cannonball's tenure with Miles Davis during 1958 & 1959. This includes unpublished solos from private collectors' tapes! Sorry, I can't sell these, but I have made YouTube videos so you can hear them. Also, I have written biographical text as you journey through this period with Cannonball. As always, I include a complete discography and session index.

144 pages, 33 solos, 2# 11oz

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Cannonball Adderley Volume 7: 1959

Every known recorded solo from 1959 except those included in Volume 6 (Milestones). This includes some of the most amazing Cannonball in the quartet setting that you'll ever hear.
46 solos, 172 pages, 3# 1oz.

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Cannonball Adderley Volume 8: 1960

The biggest and best book! Some of the most technical Cannonball solos ever. Clearly a great choice for shedding your chops. If you can play these, you are amazing! Now available in the 6th Edition with 2 newly discovered solos from film of Bohemia After Dark and The Chant.
59 solos, 240 pages, 3# 13oz.

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Cannonball Adderley Volume 9: 1961

One of my all-time favorite compilations. Includes the best session of Cannon's career with Bill Evans. The 2nd Edition was released June 2011 with a newly discovered alternate take on Toy (take 8) and several major corrections.
53 solos, 204 pages, 3# 8oz.

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Cannonball Adderley Volume 10: 1962

This huge compilation rivals Volume 8 1960! Includes the classic Bossa Nova session with Sergio Mendes. Included are transcriptions from the very first Cannonball Adderley Sextet.
66 solos, 234 pages, 3# 15oz.

Cannonball Jazz CJ-1962

$81.90

Plus $10 shipping & handling. (International shipping is variable and will be billed after you place your order.)

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Eddie Daniels

All clarinet solos! This is an awesome collection of 8 clarinet masterpieces transcribed with my precision. Eddie has a copy and he is trying to secure copyrights currently from GRP Records who is apparently being uncooperative so unavailable. Hope to have this collection available soon. Sample: There is No Greater Love

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DIS HERE: A Bio-discography of Julian "Cannonball" Adderley

by Chris Sheridan

“...a welcome addition to the jazz literature ....Highly recommended for record collectors and all jazz libraries.” Choice
“This annotated discography painstakingly lists every recording session with Cannonball Adderley, and even a day-by-day accounting of his entire professional career. While intended for serious fans and collectors, it contains no end of fascinating information.” The Ledger
“[S]erves as an invaluable compendium of indispensable information about a major figure in the history of jazz.”–American Reference Books Annual
“Dis Here, like Sheridan's Count Basie, is a monumental production, a volume that no discographer, or serious admirer of Cannonball's artistry, can afford to be without.”–Jazz Notes
“Chris Sheridan has again taken the discographical work of a single artist another step forward.”–IAJRC Journal